'Pirates' lost at sea
Derek Peters
Only, as we all know, this movie isn't based on beloved fantasy novels. Why the film's creators took a simple amusement park concept and inundated it with J.K. Rowling-levels of mythology is a mystery.
These sloppily interwoven plot threads, which were difficult to keep track of in the sequel, are downright baffling in "World's End." The film's disturbing first images - of downtrodden pirate sympathizers being hanged and disposed of - quickly establish the be-wigged Brits as militant, unstoppable thwarters of all things rum and merriment. With the English in control of Davy Jones and his ship, the Flying Dutchman, the seas are being purged of piracy. Apparently, a convening of the Pirate Brethren, an assembly of the world's nine leading pirate captains, is the only way to stop the ruthless Lord Beckett.
This motivation takes our sundry heroes - and by now the pirates are unquestionably heroes - from one exotic setting to the next, each one a digital masterpiece. Singapore, where Chow Yun-Fat's Capt. Sao Feng reigns, is an intricate Oriental translation of the Caribbean pirate towns, and retains the look and feel of an "imagineered" Disney theme park ride. As a "Pirates" newcomer, Yun-Fat's over-the-topness is actually a welcome addition to a film dripping with familiar faces that have devolved into stale caricatures.
Geoffrey Rush, as the sequel hinted, is back in top form as Capt. Barbossa and he, in tandem with the tentacled Bill Nighy, make the action-less scenes watchable. There's a tender, quiet moment between Nighy's Davy Jones and the Caribbean mystic Tia Dalma (Naomie Harris) that nearly makes you forget the whole thing is busting at the seams. If it weren't for Nighy, Rush and the handful of British character actors, this ship would have surely sunk.

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